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The Black Bomber

This month marks the 70th anniversary of the first appearance of Superman. This means that it’s basically the 70th birthday of superheroes in general.

While I find the pre-WWII Superman very interesting– back when he couldn’t fly, didn’t have heat vision or x-ray vision, when he was just an enormously strong man who jumped around, and meted out social justice…

Superman gets enough attention already.

I want to talk about black superheroes.

Now, it’s no secret that comic books have, historically, been kind of horrible in terms of race. Even the great Will Eisner gave his detective character the Spirit a sidekick named Ebony White, who while he was quite human in his portrayal (especially later in the comic’s run), was little more than a manservant in blackface.

There weren’t any black superheroes for nearly thirty years of the genre’s existence. Eventually, in the sixties, black heroes started appearing. And they were very creatively named! In the next few years, you see the appearance of such heroes as the Black Panther, Black Goliath (especially creative, as he was a black man who took on the powers and costume of the superhero Goliath), Black Vulcan, and Black Lightning… More on him in a moment.

To add insult to injury, many of these black superheroes were not only ridiculously named, but were basically just patently ridiculous. In the competition for Worst Superhero Ever, two serious contenders come from this first wave of black superheroes in the late sixties and early seventies:

In one corner, you have Jack Kirby’s Black Racer, a black guy in a ridiculously colorful costume who serves as a harbinger of death. (And yet he’s not a villain.) Oh, and did I mention he gets around on cosmic skis?

In the other corner, you have the inimitable Mal Duncan, who has the dubious honor of being one of the few superheroes I remember thinking was stupid when I was five. Mal was an inner-city teen who became a member of the Teen Titans, basically the League of Superhero Sidekicks. Mal, however, wasn’t a sidekick. He didn’t have any powers. He didn’t have any demonstrable abilities, for that matter. Moreover, he didn’t even have a costume or a secret identity. He was just the Teen Titans’ token black friend, basically. Eventually, they gave him a magic horn, and he became the incredible Hornblower. Worst name ever. One of the worst powers. And still not much of a costume.

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But still, it could have been worse. I recently encountered this article in Neil Polowin’s The Hembeck Files!, reprinting a column by Tony Isabella, creator of Black Lightning, the first black superhero to have a solo book published by DC, the publisher of Superman and Batman.

The name’s a bit of a stinker, yeah, but Black Lightning had some things to recommend him. Electrical powers are pretty impressive. He kept most of his adventures in his neighborhood– he gave back to the community. Moreover, dude was a teacher! How cool is a schoolteacher superhero?

Moreover, he was a lot better than the original idea the editors proposed, the Black Bomber. I’ll just quote Isabella on this one, he says it better than I could:

I will say that I created Black Lightning after convincing DC not to publish another “black” super-hero on which they had started work. The Black Bomber was a white bigot who, in times of stress, turned into a black super-hero. This was the result of chemical camouflage experiments he’d taken part in as a soldier in Vietnam. The object of these experiments was to allow our [white] troops to blend into the jungle.

In each of the two completed Black Bomber scripts, the white bigot risks his own life to save another person whom he can’t see clearly (in one case, a baby in a stroller) and then reacts in racial slur disgust when he discovers that he risked his life to save a black person. He wasn’t aware that he had two identities, but each identity had a girlfriend and the ladies were aware of the change. To add final insult, the Bomber’s costume was little more than a glorified basketball uniform.

DC had wanted me to take over writing the book with the third issue. I convinced them to eat the two scripts and let me start over. To paraphrase my arguments…

“Do you REALLY want DC’s first black super-hero to be a white bigot?”

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The “Edupunk” Thing.

As Rob MacDougall pointed out, “Edupunk” seems to be the new hot meme in the edublog world.

I’m coming a bit late to the party, as the term was coined almost two weeks ago, which in the blogosphere seems to mean a thing’s ready for its postmortem… Well, unless it’s LOLcats. LOLcats has legs.

If you’re not hip to the right circles, or just behind on your feed reader (I’m both), click around these entries. Follow the hyperlinks. Check out the blogs of the people posting replies. Make sure you’ve got a couple hours on your hands– for such a new concept, it’s generating a lot of dialog. Which is awesome in and of itself, honestly.

Personally, I find the concept deeply intriguing. Ultimately, a lot of what people are talking about as being “edupunk” is very similar to things I’ve been trying to express for a while. An appreciation for the DIY ethos– the concept that fast, quick, and handmade is better than slick corporate cookie-cutter product any day of the week. A desire to get people to get their hands dirty with all the new tools available. The understanding that sometimes you need an Allen wrench, and sometimes you need a sledge hammer. Advocating that educators going past the standard classroom interaction is the essence of “best practices.” The concept that being in a classroom shouldn’t keep students from being autodidacts, but should rather encourage it. Using Web 2.0 tools (when appropriate) to make students interact more, participate more, and allowing them a greater amount of ownership and stewardship of their work. Acknowledging that Blackboard is too badly designed and inflexible to be the killer ap of courseware it’s become.

Of course, I’ve been a big fan of and advocate for punk, DIY, zines, and the like for– wow… over fifteen years. So this sort of thing has an intrinsic appeal to me. Something that co-opts the DIY ethos and combines it with new media and progressive/radical pedagogy? That’s just custom-tailored to my tastes.

The term’s a bit silly, of course. And the term’s too new to really indicate any real community or cause. But I’m glad the term’s been coined. Ultimately, if the meme gathers enough steam, and actually comes to be a real thing, a movement, philosophy, praxis, approach, critique, whatever… It will have come out of Jim Groom coming up with a term that provides an umbrella of linked concepts under which different people can gather.

I hope it does. I’d gladly call myself edupunk if that came to pass.

Even if it doesn’t, it’s definitely come to generate a really interesting conversation.

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One qualm I have to express, though, related to an association made by several critics of the not-yet-extant “movement,” as well as some of its advocates.

Punk was never, ever, only about anger and nihilism.

That’s an impression that comes from too many people painting with much too broad a brush, and the overstatement of the impact of the Sex Pistols.

The Ramones had an edge, but blind, dumb joy drove their music, just as often as anger. The Clash had more righteous indignation than undirected anger. Jonathan Richman and the Modern Lovers are, to my mind, totally punk rock– and JR writes songs about romantic awkwardness and being a baby dinosaur. The DIY ethos that has driven so much of the last thirty years of punk music and culture found its incubator in the garage bands of the sixties. Listen to the Shaggs singing (with no sense of melody or harmony, let alone any sense of irony) about how great parents are. Listen to the One Way Streets singing “We All Love Peanut Butter.” You can’t hear anything but sheer joy in these songs.

I thought Bob Mould proved conclusively in 1984 that punk had a lot more emotional depth and complexity than angry adolescent rejection. Why does this impression persist?

Assuming that punk– and anything that, like the notion of “edupunk,” draws on the legacy and ethos of punk– has the emotional complexity of the Incredible Hulk is just patently wrong.

Sure, punk is often about smashing the “system.”
And sometimes anger makes you want to smash things.
Sometimes, it’s political– the system is too broken to be repaired, and needs to be cleared away before new options can thrive.
Sometimes, it’s just the sheer joy of breaking things.
And other times, you’re motivated by a sense of play and fun– detourning the mechanisms of a system, subverting it, disrupting its self-seriousness, and trying to provoke positive change.

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Signs of the Times…

Facebook traffic (in terms of unique visitors) is down 10% while sales of Hormel Spam is up almost 10%.

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Do You

…So…
One of the projects I’m working on at CHNM this summer is helping with the “final push” for the Mozilla Digital Memory Bank. The grant is ending around September, and we’re trying to get as many people to submit to the site before we can’t put as much time into it. Ideally, I’d love to see a bit of community form around the site, so that it continues to archive new material even beyond that date.

To this end, I’m trying to use all the social networking tools I can.

I’m contacting the admins of Mozilla-related Facebook communities.
I’ve created a Mozilla DMB Livejournal account to contact communities there.

I’ve even created a Youtube account, and posted video ads for the site, trying to get users to submit accounts of their experiences with Mozilla Products:

…I’m trying to come up with other social media that I could use to increase the profile of the site– the more eyeballs we get on the site, the more people will submit. It’s a numbers game– if one person out of fifty people who find out about the database actually submit material, it’s still worth it to try to get several hundred people to find out about the site.

Any suggestions?

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My poor, neglected blog…

It’s been a month and a half since I’ve posted here.
This is just a post to commit myself to getting back on the horse.

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The best two things to come accross my feed reader in the last week…

Just like your friend who’s obsessively checking out his Facebook, squirrels are avid social networkers.

Perhaps the best part of the entire article is the definition of squirrel “kissing” as “oral contact that doesn’t lead to bickering.”

Also interesting (though less amusing):

Manno tested what would happen to the squirrel network if individuals were removed. Random removals didn’t disrupt the network much, but if more than 10 percent of the colony’s important members were taken out, the network fragmented, leaving it vulnerable to collapse.

If, as many have suggested, most people use internet Social Network Systems not to increase our base of friends (actual “networking”) but to suplement or complement existing social networks, can this be taken as a survival instinct? Is the social disconnect of the postmodern age, the breakdown of community and kinship ties, encouraging us to resort to SNS technology out of an instinctual desire to preserve and foster social systems as a method of self-preservation?

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Second item: this Newsweek article from 1995 insisting that the internet is mostly hype, and unlikely to change much of anything:

Try reading a book on disc. At best, it’s an unpleasant chore: the myopic glow of a clunky computer replaces the friendly pages of a book. And you can’t tote that laptop to the beach. Yet Nicholas Negroponte, director of the MIT Media Lab, predicts that we’ll soon buy books and newspapers straight over the Intenet. Uh, sure.

As much as proponents of new technology get sucked into the same irrational enthusiasm that captured early proponents of the stereoscope, the motion picture, and countless other technologies, being too quick to poo-pooh the new technology can leave you sounding pretty unimaginative, even ten or fifteen years later.

Which is why I’m not giving up on flying cars.

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(Semi-)Weekly Ukulele Post

I love ukulele orchestras.

The sound of a single uke can be sublimely beautiful or twee and plinking, it’s much more versatile than people give it credit for being. (It seems that Jake Shimabukuro’s helping to change that somewhat, although I still love the uke primarily as a rhythm instrument.)

The sound of a single uke can evoke a lot, and be pretty amazing. But there’s nothing in the world quite like the sound of, say, fifty ukuleles, playing as one. The Ukulele Orchestra of Great Britain are becoming minor Youtube celebrities, and I can see why. They’re a little stiff and droll for me, though. I have to say, I prefer the raw fun of The Wellington International Ukulele Orchestra— who can be heard here in a rousing rendition of Outcast’s “Hey Ya.”

Well, a band that’s already been in pretty frequent rotation on my iTunes just came out with a new song featuring a ukulele orchestra. Needless to say, I’m jazzed.

The band is the Bastard Fairies, a group I often explain to my friends as “LA’s answer to the Dresden Dolls.” Like the Dresden Dolls, they’re a male-female two-piece, heavy on the theatricality, childlike music, and dark themes. But where Amanda Palmer is a bit of the waifish Victorian china doll, the Bastard Fairies’ singer, Yellow Thunder Woman, is the Native American answer to Betty Page. Where the Dolls seem to draw inspiration from Weimar Republic Caberets, the Fairies prefer punk rock, regressed to childhood. Nursery rhymes about sex, death, and beer.

What drew my attention to the Bastard Fairies wasn’t actually their music– it was their delivery system. These guys were ahead of Chris Anderson in the belief that the future of business is free.

The then-unsigned band elected to make their excellent debut album, Momento Mori, freely available for download, and then look for someone to distribute them. A lot of people, myself included, downloaded the album out of sheer curiosity. The album got picked up by Adrenaline Music, the download page went away, and the CD was released with additional tracks. It can be even be purchased now on Amazon. Go pick up a copy– it’s worth it.

Anyway, I’ve been listening a lot to this new uke orchestra Bastard Fairies track.

Allow me to introduce the Bastard Fairies’ cover of Melanie Safka’s “Brand New Key”, featuring the Uncle Lincoln Ukulele Club:

Links:

The Bastard Fairies’ Website
The Bastard Fairies’ Myspace
The Bastard Fairies on last.fm

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The Great LJ Strike of 2008, Part 2

I actually didn’t manage to log on to LiveJournal during the strike, rendering my refusal to participate moot.

What can I say? I was busy!

I’m tempted to write it off as a familial ethic with regard to strikes, claim that my father growing up in a coal mining town somehow made it impossible for me to cross a picket line– but that would be taking the easy route. The fact was, and is, that I just had a busy Friday. And as many times as I’ve been on LiveJournal sixteen times in one day, there’s just as many times that I’ve failed to participate, for a day, two days, a week.

Social networks, especially text-heavy ones like LJ, are semi-sporadic in terms of participation, even among the most addicted.

Which led me to thinking: the real problem with the kind of hybrid work stoppage/boycott that can be one’s only recourse in social networking systems has a real problem: the unavailability of a picket line.

I’d always thought of picket lines as a spectacular display on the part of the striking party, as a spectacle of solidarity and protest. But they serve a further function: they serve to create a way that those striking, those most committed to the action, can actually stand up and be counted. A picket line separates group action from a day of spiked absenteeism.

If numbers come from the LJ strike, if one were to numerically assess the efficacy of the action, I would show up as a participant, despite my desire to, if anything, participate despite, to not participate in the group action. Looking at my friends, I actually had a few friends who seem to be posting as a direct response to the action, posting somewhat low-content posts, posts they otherwise would not have made, just to stand up and be counted as non-participants. I frankly just didn’t have the time. I made a couple Twitter tweets, but other than that, I was basically just not able to take the time to be online on Friday. My feed reader was likewise neglected.

So– if one wants to effectively signal the power of a mass action in the virtual world, one needs to create a virtual picket line.

In the future, when people are boycott/striking a particular SNS in order to prove a point, it might be wise for them to create an online picket line, in addition. It could function as a sort of one-day-only petition, and users could sign using their usernames on whatever SNS is under scrutiny– this would provide the people in charge, who need to be able to gauge the power and efficacy of such a mass action in order to actually evaluate if it should be taken seriously, a data pool for comparison.

Just a thought, but I think it could be beneficial for digital organizing.

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Facebook Anthem

In my last post, you may recall, I called Facebook “shallow,” and said that it was “becoming more and more about snapshot statements, ‘pokes,’ and applications that let you know whether your friends would rather be vampires or ninjas.” Well, it’s nice to know that not only does someone else have the same frustration about the proliferation of applications at the expense of communication on that site, but feels so strongly about it that they decided to produce a music video about it:

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The Great LJ Strike of 2008(?)

As I’ve mentioned several times here, I’m a fan of LiveJournal. I’ve been using it for around four years now– I’m not exactly an early adopter, but I’ve been on for a long time– I got my account pretty soon after they stopped giving out accounts on an invite-only basis, and I’ve been on long enough to have had time with each of the owners: LiveJournal, Inc., Six Apart, and now SUP. Four years of involvement and community building can make you pretty invested in a social website.

That said, I won’t be participating in the one-day strike tomorrow.

For readers who aren’t LJ users or haven’t heard of this whole to-do, the above link lays it all out pretty well. The Readers’ Digest Version goes something like this: LiveJournal started ad-free, on a donation basis. They added paid accounts with extra features. Then, under Six Apart, they added a middle account level, with some extra features, still free, but with advertising on your page. Now, SUP is eliminating the traditional “Basic” (ad-free and free of charge) account level, giving new members only the ad-based “Plus” or ad-free “Paid” memberships. Simultaneously, there was some sort of omission of terms like “bisexuality” and “depression” in the list of LJ’s most popular interests, which has since been resolved, but rubbed some people the wrong way in the wake of Strikethroughgate.

There’s several reasons that I’m not planning on participating:

Not to sound like a pessimist, but I saw this coming. I assumed when the Plus account was introduced that the next step would be a pay-or-get-ads model. It makes sense to make money off every user, from the point of view of a company like Six Apart or SUP. It looks to me like Six Apart set the wheels in motion with this one– especially when you look at the evidence that active user numbers were in a three year decline before SUP’s buyout. (Although there is also evidence that these numbers are leveling out, now.) I’ve been braced for this for a while now, and this lessens my sense of righteous indignation.

I’m a fan of the noncommercial and the open: open-source, open-architecture, open-access. I like things free as in beer and free as in speech. That said, I don’t think that SUP fully grasped the nature of the LJ community– especially its American component– before the purchase. This is their first taste of the Drama that can ensue when you alienate or upset the site’s user base. Despite SUP’s Anton Nosik’s recent ranting diatribe of an interview where he described the action as “blackmail,” I think that they’re trying, or I’m at least willing to give the benefit of the doubt for now.

The recent announcement of an Advisory Board that includes LJ inventor Brad Fitzpatrick, Lawrence Lessig, and danah boyd is definitely a step in the right direction– at least if they’re given a real role and allowed to actually advise. So far, while not endorsing the strike themselves, both Brad and danah have publicly spoken out and stated that they are against the change. danah’s hinted that a new policy will be decided upon in the next couple weeks.

Finally, as with Strikethroughgate, I’ll admit, I don’t care too much because it doesn’t much effect me. I’m a paid member, and will likely continue to be. And I use the Adblock Plus plugin in Firefox, so my web surfing experience is pretty much ad-free as it is.

And let me take this exact moment to evoke Godwin’s Law before anyone even has a chance to say “First they came for the Communists…” I’m sick of that (rather offensive) analogy being made every time someone’s mad at whatever company is running LJ at the moment. They’re corporations that run social networking software– they’re not Nazis! This propensity of the LJ community to overreact should probably be added to the reasons I’m not participating.

Having said all this, if any of my LJ friends who are participating read this, let me say that I do see why this is problematic, and I support your decision. I just ask you to respect mine.

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For me, what’s really interesting about this strike is the the action itself, and how it highlights the sometimes problematic nature of social media. Putting aside the difficult question of the efficacy of one-day and limited-timeframe strikes, it raises some even bigger questions: is this actually a strike? Would it be better described as a boycott? Are LiveJournal users better described as customers or content producers?

This is an issue with all social media, where users are both the content producers and consumers. But I think LiveJournal is probably the richest of all the emerging social media sites, in terms of content. Livejournal Communities reproduce the rich sense of community I remember feeling when I first started posting to Bulletin Boards in the 90s. The Journals themselves are essentially blogs. And the “Friending” feature, and the “Friends-list” page provide networking that creates a real sense of texts interacting. Memes and other such viral material can sweep through your friends quickly. It’s an ongoing dialog, one that can sometimes be very public, and other times be intensely personal. Features like friends-only posting and filters allow for a lot of control of who can or cannot access what information.

By comparison, sites like Myspace and Facebook seem rather, well, shallow in terms of content, and weak in terms of access management. Myspace is about pictures, short snippets of text, shallow dialog. Facebook seems to becoming more and more about snapshot statements, “pokes,” and applications that let you know whether your friends would rather be vampires or ninjas. There’s a place for both of these, of course, just like there’s a place for blogs and a place for Twitter. But for deeper, more personal, or simply more lengthy dialog, LiveJournal’s pretty close to the fabled “killer app” for social media.

So when LiveJournal users refuse to log on, don’t write or read for a day– or longer– they are both refusing to produce content and refusing to consume. The former can be seen as a strike– it’s a work stoppage, of work that people do for free, or even pay for the privilege of performing. But they’re also denying the site hits, hurting ad revenue (which is obviously becoming an integral part of their business model)– a good old fashioned boycott. Boycotts that coincide with strikes are a proven, effective tool– social media provide an environment where they are one in the same. No wonder Anton Nosik sounded more than a bit apoplectic.

Where this becomes problematic, however, is that there are only two parties involved in any dispute that comes to the point of such a blackout– the company, which does own the servers, provide the service, and have a profit incentive, and the users. Basically, besides SUP’s investors, the only people who care if LiveJournal disappears are the users. I would be sad if LiveJournal was taken off-line or became a ghost town the way Facebook has. But most people wouldn’t bat an eye, as they don’t use the service. The same reason that social media are self-sustaining and democratic make them very vulnerable. Too much resistance on either side, and the whole house of cards can collapse. (All the more reason for LJ users to think about getting around, eventually, to using LJBook and turning their journal into something a bit more permanent.)

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I agree with Lisa Spiro that social scholarship is a trend on the upswing in the humanities, and I’m excited by the possibilities it presents. But it’s important to also keep in mind the potential pitfalls of social media as we move in that direction.

The democracy and openness are exciting, but in the end, servers are pretty seldom communally-owned. Conflicts can arise easily when the folks hosting the material and the people producing and consuming the material see themselves as separate, opposed groups with different interests. We can talk about the wisdom of crowds, and that’s exciting, too. But there’s a real question of how well social media– let alone social scholarship– scale.

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