Categories
Uncategorized

My Issue with the Whigs

I’ve been reading a lot of stuff that touches on American political history during the second party system.

Jacksonian Democrats intrigue me, I have to admit. In part, because it’s a party that attracted a lot of the people I’m most interested in studying– the urban workers of the Northeast. I also have a soft spot for any group that evokes the Jeffersonian mythos of the yeoman farmer– something I internalized at a very young age, this romantic image of autonomous self-reliance. I’m always interested when political movements gain momentum that want to diminish the power of monied elites. And there’s such characters in the Democratic party of that time– people have spent whole careers trying to piece out what was going on in Andrew Jackson’s head.

But at the same time, the Democratic party was more adamantly pro-slavery– this was the party of Jefferson Davis– and more bellicosely expansionist– the party of Jackson, who as a general invaded Florida without any real presidential or congressional mandate, and James K. Polk, author of the Mexican-American War, the first real war for Empire America undertook.

Daniel Walker Howe, in his book What Hath God Wrought wears his heart on his sleeve, and his heart belongs to the Whig party, in particular John Quincy Adams. While his appreciation for Adams verges on hagiography at times, Howe definitely does offer some strong reasons to like the Whig party: they were more open to abolitionists and anti-slavery people, it was the party Lincoln began with, they were for a strong national government that invested prudently in infrastructure and improvements, they opened up to organizing by women, even if they didn’t call for women’s suffrage. It was the more progressive party.

And usually, that will bend my ear. But I have a hard time loving the Whigs.

I finally figured out why, today. The Whig Party had a good, sensible, progressive platform. But they weren’t sexy enough. Their issues just don’t grab me or excite me the way that the Democrats’ do. They don’t excite the passions, and their leaders seem to lead less passionately. While progressive, they were voices of moderation, industry, and self-discipline.

It’s just hard to get excited about the party whose rallying cry seems to center around banks, canals, paper currency, and temperance.

Andrew Jackson looked– and acted– like a wildman. In terms of the politics of his time, he was a rock star.

John Quincy Adams just looks like he wants you to turn down that noise you call “music” and go clean your room:

John Quincy Adams

Categories
Uncategorized

Confessions of a Stats Geek

I never would have thought I’d write a post with this title. In my scholarship, I tend to veer toward qualitative cultural analysis. I avoid numbers whenever possible. Though I’m a big fan of maps, I detest charts– they take forever to make and half your readers won’t even give them a glance.

That said, I’m addicted to reading my web statistics, monitoring my online presence. I’m obsessive about it. Every night, I check my flickr stats, go to Google Analytics to track how this page is doing, and since joining Yelp last month, I’ve begun checking that almost daily, to see how many page views my profile’s gotten, and how my reviews have been rated. Once a week, on Sunday evening, I go to last.fm to find out what music I’ve been listening to, and see what people with similar musical tastes might have uncovered that I haven’t. I’m awash in statistics.

It’s not that I do much with them. I mean, I’d definitely argue that these stats, along with frequent self-googling, keep me aware of who’s seeing me online, and how. But that, to be completely honest, is a second-order perk.

The main reason I do it is… I don’t know. It’s visceral, it’s almost a form of introspection. (Although it’s outwardly-focused introspection…) The net, now that we’re in the “Web 2.0” days, is an intensely performative medium. From the initial hypertextual concept of infinitely linked texts, we’ve moved on, to an internet that’s all about the (multiple, contingent, intertextual) construction of the self. And stats let us know how we’re constructing ourselves, to a certain extent. They’re a mirror to our online identities, that allow us to do a bit of reader-response criticism on ourselves…

Because as much as we all know that it’s “just the internet” and that “on the internet nobody knows you’re a dog,” as much as it’s widely reiterated that online virtual personae are separate from actual identity, that’s only half the truth. In a world where people spend as much time as many of us do in refining and crafting our identities online, these things get fuzzy. You invest your selfhood into these projects. The work of molding a performative identity can never be alienated labor. Which we all know– that’s why everyone gets into a tizzy when, say, LiveJournal changes hands again or Rupert Murdoch buys MySpace. Because when users switch from “people using a service” to “people creating content,” there’s an investment made, and a bit of your identity is intermingled with that of the platform you use.

When I migrated this blog from Typepad to my own WordPress blog last month, I was changing camps– making an identity shift. And part of that identity shift involved having to find a way to track my stats. The stats provided by Typepad were quite good. Those provided by Google Analytics, however, are far richer.

…This entire post has been a protracted lead-up to this: given that it’s been a month since I’ve migrated my blog, I decided to share some figures, here. Let’s look at who’s been reading, and how.

  • So far, my numbers are down, but barely. My average number of pageviews per day has gone down from 7.5 to 6.7. I’m frankly surprised that the damage hasn’t been worse, although since moving, I’ve been doing more things consciously to boost my google juice, like using trackback urls, pinging sites like Technocrati, and (simplest of all) posting more frequently.
  • Here in the states, the majority of people who visit my sites seem to be in Northern Virginia, Southern California, and Texas. Besides Texas and one hit each from New Mexico and Kansas, I haven’t had a single person visit my site from the area West of the Mississippi and east of the Pacific Coast States. Maybe I need to post more things of interest to the Plains States and Rocky Mountain Region.
  • While the vast majority of people viewing my site are in the US, (with Aglophone nations like the UK, New Zealand, Ireland, and Canada filling in a large number of the other unique users) I’ve also, somewhat surprisingly, had hits from: Switzerland, the Netherlands, India, Romania, the Czech Republic, Spain, South Korea, and Malaysia.
  • 70% of you are NOT using Internet Explorer. Good on ya! And most of you use Firefox. This makes me happy.
  • Far and away, my most popular post this month has been my review of Tom Smith’s site, “Let’s Play Ukulele.” At this rate, it’ll quickly out pace my all-time most-viewed post, a mini-essay on the china and china cabinet in John Lewis Krimmel’s “The Quilting Frolic”. This has gotten me thinking. I’m shocked that an ukulele post generated such interest– although the post also related to my notions of the potential uses of Web 2.0 technology for digital pedagogy, let’s face it… Digital Pedagogy and Cultural History are pretty limited-interest topics. I wonder if expanding the scope of this blog would encourage readership by making a bigger umbrella, or discourage readers by being a bit scattershot. If everyone and their mother is now engaging in Friday Cat Blogging, I figure a semi-weekly ukulele post might not hurt me. And plus, it’d be fun, and my roommates are getting sick of hearing me talk about ukes.

Well, this may be just of interest to me, but it gave me some things to think about.

Now if someone could just explain my flickr stats to me: I understand why this picture of Barak Obama is my most popular:

Barack Obama Speaks @ GMU

But why on earth is this picture (of my roommate’s friend Ron, when we went on a ski trip) my second-most popular?

Ron Standing

Aparently a lot of people click on it when they do a Yahoo Image search for “jeans and blazer”…

Categories
Uncategorized

I’m a Ukulele Hero!

So I’ve been loving the Kala KA-S Mahogany soprano uke that I bought over Christmas. I’m learning– still not great, but improving. But the ukulele bug has apparently bitten me HARD.

I went to Guitar Center today, just intending to get a strap so that I can play standing up. Instead, I walked out with a strap, and also with a Mitchell MU70 concert uke. It’s quiet– surprisingly, quieter than my soprano. But the sound is really rich. I’m going to have to replace the strings, though– I really prefer the sound and the action of the Worth CM strings on my Kala.

But overall, it’s shiny. It’s new. I like.

A picture of my two ukes, with my roommates’ Les Paul-style Guitar Hero controller:

Ukulele Hero

Categories
Uncategorized

Quick note…

If I jam up your feed reader, sorry about that… I’ve decided to start giving a full-text RSS feed, because apparently, partial content feeds suck.

Categories
Uncategorized

Digital History: It’s Child’s Play

I know my blog has gone really geeky (well, tech-geeky) of late. It’s the inevitable result of trying to wrap my head around WordPress, PhP, MySQL, SFTP clients, and about a dozen other things simultaneously; more strictly historical posts will be coming soon. I have a little piece on choice and identity formation in Jacksonian America that’s already in the pipes. (Read: it’s currently sitting in my “drafts” file, needing to be finished and polished up.)

BUT. That said. Another Digital Humanities post.
—————————————

National History Day has recently included web sites as an acceptable type of presentation.

Or, I probably should put it, they’ve recently included “web sites” as an acceptable type of presentation. The sites are required to be on a single CD-Rom– something I find somewhat problematic, as it doesn’t allow students to link to outside sources, use APIs or third party hosting… So putting Youtube videos in the site, or using the Google Maps API are out. In forcing the students to create sites that can’t have elements from other sites integrated, you’re taking a step back and forcing them to make very strictly Web 1.0 material. Actually, by creating sites that are completely self-contained– by putting them on CD rather than hosting them online– you’re actually killing part of the point of web 1.0… hypertext should be expansive, not self-contained.

I understand that they’re trying to make the project more inclusive, by removing the barriers presented to poorer students by not forcing them to pay for hosting services… but it kind of defeats the point of making a web page, if you ask me.

But this is all just a digression. National History Day puts together books about each type of presentation, introducing students to best methods, tricks of the trade, how to exploit the medium to its fullest, what have you. A friend of mine is helping to work on the new book for websites. A group of us were sitting around recently, with her, brainstorming about what should or should not be included. How do you explain to an audience of middle and high school students the real potential of digital history– especially with the limitations of making a web site with a limited word count that has to fit on a single disk? How much do you talk about HTML, CSS, etc, or do you assume that they’ll be using WYSIWYG design programs?

When the issue of how much to talk about coding came up, the group was pretty divided. How much can you explain? How rudimentary should you get? Personally, while I thought a “basics” section was relevant and important, I felt that design and theory should take prominence. There’s hundreds of pages offering HTML tutorials and “how to” guides for basic web design.

Moreover, I argued, they already use code. Anyone out there who has a relative in the 12-17 age range can tell you this– look at their MySpace pages. They’re all customized.

Another person in the group interjected: but they just copy and paste that code, for the most part. They’re not producing it. To some extent this is true. But if they’re spending any time on LiveJournal, Xanga, bulletin boards, or even, yes, MySpace, they’re learning the rudiments of HTML. It will look familiar to them.

What’s more important is to teach them what makes a web page look good, what makes it work well, what it does well as far as looking at history. Again, to look at MySpace: the kids are learning some code, but the design and functionality is horrible, and it doesn’t create a narrative. THESE are the skills that are more important to impart.

Of course, I’m not entirely informed on the topic. I keep in touch with a couple of my friends’ teenaged siblings– not surprisingly, via MySpace and Facebook– but it’s not like I hang out with fourteen-year-olds on the regular.

But today I stumbled upon a really cool project that shows how younger students can be engaged with digital scholarship. A teacher who I can only identify as Mr. Armstrong is doing a lot of really impressive stuff with his 8th grade US History class. His students are creating history podcasts, he’s got a class wiki, and the students are blogging class reviews.

The material is impressive. Armstrong makes use of a variety of different online tools available to limit cost and required technical knowledge, and the kids are really running with it.

Pushing thirty, I’m one of the oldest people you’ll meet who really grew up with a computer in the home. My father taught high school computer classes, and we were lucky enough to have one in the house before I began elementary school. I’ve been typing, rather than writing longhand, since I was eight. And there’s a real comfort gap between me and people a couple years older than me, when it comes to computers. Things that are intuitive to me are abstract to many people who are only five or ten years older.

In the next couple years, students are going to start coming into colleges whose parents had AOL before they were born. This new age group has a much higher comfort level with technology and networks. They may not have all the technical know-how, but it’s much less of a steep learning curve for them than it has been for someone like me. They’re going to be comfortable, also, using cheap and free on-and-off-line applications to fill in the gaps of their technical knowledge.

While making sure they get net literacy and the skills to work best with new media is important, I think we need to be a lot more worried that their teachers– unlike Mr. Armstrong– won’t be up to the task than worrying that they can’t figure out how to Google around and find some HTML code.

Categories
Uncategorized

Let’s Play Ukulele: A Great Use of Dynamic Website Design

What does the Leisurely Historian do in his leisure time?

Well, given that I’m a grad student, there’s not a whole lot leisure time, to be honest. I spend most of it feeling guilty that I’m not working or reading.

But over winter break, I finally broke down and did something I’ve been wanting to do for a while. I bought a ukulele. I love the sound, it’s easy to play, it’s compact, the small neck is easy for my somewhat stubby and ungraceful fingers.

Playing the ukulele isn’t like playing guitar, though. There’s not as many people who play it. I have two friends who even own one– one lives over an hour away, in Baltimore, and the other lives in Texas. Lessons are out, too. When was the last time you looked at a bulletin board and saw someone advertising uke lessons?

So, being the nerd that I am, I turned to the internet. And let me tell you, the net is the friendliest place in the world for a fledgling ukulele player. The ukulele lessons on the newly-launched Ukulele Underground are amazingly well-done. Sheep Entertainment’s Ukulele Chord Finder was a godsend. I especially enjoy that the flash program itself can be downloaded onto your computer, so you don’t have to be online to remember what a D# 7sus4 looks like when you come across it in tablature.

There’s the rub, though– tablature. Most tabs you find online are for guitar, which has a different tuning. So my only recourse has been, when I’m not using the (limited, but still quite impressive in their variety) uke tabs on Ukulele Boogalloo, has been to find the guitar tabs, open up the chord finder, and figure it out from there.

Tom Smith, the author of The Let’s Play Ukulele Songbook, has done ukulele novices everywhere a serious solid, though, with his new site Let’s Play Ukulele. This is an inspired use of dynamic website design.

I haven’t bothered to look under the hood, but from what I can tell, the site mostly works to compile things found elsewhere. Guitar tab sheets– which can be found all over the web– are brought in, and (again, from what I can tell) metadata as to the artist, title, and chords used in each song are attached. Image files of the appropriate ukulele fingering for each chord are appended to the top of the file. One can search by song or artist, of course, but that’s too basic.

The really exciting search ability is to search based on the chords you know, so you can find songs that you can play immediately. The results are then ordered by the number of chords per song, so that the simplest songs come first. It’s rather brilliant, a great tool for people who are trying to learn the instrument.

However, the most exciting part is where Tom goes one step further. On the logic that the easiest songs to play are the ones you know, and know well, the site gives you the ability to put in your last.fm username, and provide you automatically with songs you actually listen to– again, in order of ease of play!

To give you some idea how this works, here’s my results page.

It’s certainly not “scholarly,” but I think this is an excellent example of what digital pedagogy is really capable of. Even getting personalized lessons, I wouldn’t be able to find a teacher who would be able to teach exclusively songs that are to my taste. The ability to search, to remix, to deal with large amounts of data, and to do so in a user-friendly, simple interface– this is really an indication of how digital media can be used to individualize, to tailor what we learn and how, to engage students…

It’s still in alpha, and it can be a little buggy, but this site is great, and really instructive. Even if you have no interest in playing the ukulele (though I’d argue you should reconsider that, as well) you should check it out, and play around with it a bit.

Categories
Uncategorized

Another call for Open Access

Just a couple days after I talked about Open Access book publishing, the incomparable danah boyd, in her blog, calls for the elimination of locked-down academic journals and databases.

I’m all for her idea– after all, we’re all accessing journals electronically at this point anyway, and server space is far cheaper and more flexible than the current publication/database model. I know that some academic libraries– including one of my former institutions– are so cash-strapped that all they can afford to do is maintain their database subscriptions, and have had to put book purchases on hold.

One question I would pose, however: the open-access model works much better going forward, as we look to our next publication. What kind of model can be made to replace or lower barriers to the “backwards-facing” (for lack of a better term) aspect of academic journal databases? Is there any way we can open up access to the vast array of old journal articles that are, to most of us, only accessible via databases like JStor, Ebsco, or Project MUSE?

Categories
Uncategorized

Open Access Academic Publishing

Dan Cohen’s blog has brought to my attention an interesting article by Charles Bazerman, David Blakesley, Mike Palmquist, and David Russell about the positive response to their book, Writing Selves/Writing Societies.

If the data they collected from their experience in electronic, open access academic publishing is generalizable, it presents a strong argument that this is something we should all be looking into. Their book’s been widely cited, and when one compares it’s number of full downloads to the sales of a lot of university presses, they’re doing a good job of disseminating the information. (Especially when you factor in the fact that libraries are likely not part of the equation, as they don’t need to download an electronic version of a book that’s already freely available.)

Academics aren’t exactly using publications to pay for their summer homes in the Hamptons. So one has to ask, other than providing peer review (which both the book in question and the journal the article appears in seem to do without their aid) and giving a patina of academic respectability to tenure review and hiring committees (which really only goes so far unless other things happen that are out of the hands of the publisher, like getting reviewed and being reviewed well), one could well ask what academics are really getting out of the deal. What is the added value of an academic publisher?

Well, for one thing, you’re getting a book. A real, solid book. One that will never have to be reformatted, that archives itself, that can survive a coffee spill or a trip to the beach when you’re at that summer place in the Hamptons. Academia is lousy with bibliophiles, print fetishists, technophobes, and Luddites who still resent or refuse to use their email accounts.

Sure, Sony and Amazon have both premiered their first take on the portable ebook reader, but since you can’t back up those systems and there’s no standards set, who knows if a book you purchase for either of those systems will be accessible ten years from now. As long as you have shelf space, your printed book will be accessible. Servers go down and websites disappear with a lot more regularity than entire libraries disappear. Having a physical book is an insurance policy. And sure, you could download it and print it yourself, but it’s a pain to do all that, ink costs money, and binders take up a lot more shelf space.

That doesn’t mean that there’s not a place for open access publishing, or that we still need the current academic press setup. While print-on-demand services like lulu.com have thus far been relegated in terms of publishing stature to the ghetto of the vanity press, there’s no reason that a peer-reviewed scholarly book couldn’t be published using the same means.

Assuming that the author is willing to not make any money (often the case for scholarly publication anyway) and to sell it “at cost,” (that is, after lulu recoups their operating cost and makes their profit) it’s still competitive with most university presses. I used their pricing calculator, and a 250 page, black and white, 6″x9″ hardcover with jacket should run about twenty bucks per book. That’s less than most of the books for my classes this semester at the campus bookstore. Lulu offers bulk pricing reductions, so if a buying consortium of libraries could be formed, the book could be sold to university and public libraries at an even lower cost.

Heck, if they ended up with a significant enough market share, it might be possible to convince the folks at Lulu that it’d be a worthwhile (and possibly tax-deductible) to set up a nonprofit “academic imprint” of Lulu, thus deferring cost further.

The Espresso Book Machine offers the possibility of a similar idea, with the exciting addition of on site production and pickup.

There’s something to be said for the notion of gatekeepers, but the gatekeepers seem to be more and more of a hindrance. It may be time, as publishing is already an industry in the midst of upset, to think about establishing a new paradigm, finding a new way to integrate this gatekeeper function. Peer review, like academic publishing, comes near enough to a volunteer service that academics perform for the community anyway– there’s just not enough money in academic publishing to make it affordable to put out all the good work that’s being produced. Print runs are small. Editorial supervision is shrinking. Academics talk about their work being for the public good, about enlightenment and progress. Taking the money out of the equation seems in keeping with all this.

There’s more to be gained for authors than just the high-minded ideals I’ve been discussing. It puts the reigns of design in our hands. It gives academics control over how their book looks. There’s some books I love– and I’ll avoid naming names to protect the innocent– that have suffered from being (apparently) completely neglected by the design staff at the university press. And as much as we want people to notice the content of our writing, we have to acknowledge that design matters. Ugly books are actually harder to read. Attractive things work better. Putting the author at the helm, giving him or her the reigns, is the best way to ensure that the formatting of the book will be handled carefully and with love.

By extension, making sure that students in programs that emphasize digital and new media scholarship have the necessary skills to produce well-designed print layouts should be one of the skills we encourage– or even demand– in such programs. There’s more to digital scholarship than databases and Dreamweaver. Let’s not forget that these new technologies have, in addition to new methods of analysis and dissemination of knowledge, have expanded access to “old media” as well.

Categories
Uncategorized

Welcome to the New Home of the Leisurely Historian…

I’ve migrated from TypePad to hosting my own blog, on a unique URL, using WordPress.

You see, I’ve started an assistantship at the Center for History and New Media, and as a part of that, I’m having to set up blogs and pages on WordPress, and to install it. Since I had this URL and a hosting account sitting around basically unused for the last six months, I thought I’d take the opportunity to learn by doing, and set up a WordPress blog over here. I always learn a hundred percent more by playing in the sandbox instead of just reading about process.

The current theme and layout I’m not too attached to, so expect that to change in the next few weeks.

Also, expect to see a bit more frequent posting. I’ve merged a few less active blogs into one mega-blog here, so entries will likely be coming quicker. I’m also wanting to get into the habit of passing on more links to other blogs, news articles, etc. with a little less commentary. One of my weaknesses as a blogger is that I feel the need to write small essays. And don’t get me wrong, there’s still going to be the too-frequent 2000-word post here. I’m just verbose. But I’d like to also do more bite-size “bloggy” posts, as well. Something to reward readers, and something that makes me part of the exchange that makes blogging so vital.

If I was the sort to make New Year’s Resolutions– or the sort to be productive at all around New Years– I’d have made that my New Year’s Resolution. I guess, given the date, I’ll call that my Chinese New Year’s Resolution.

Anyway, yeah– welcome!

Categories
Uncategorized

The Cold War and the Militarization of the Academy

It is a widely-discussed problem within higher education that the current job market is, to say the least, a difficult one. Universities are creating fewer and fewer tenure-track positions, relying on adjuncts, graduate students, and limited-term visiting professors for a growing share of the teaching load. Many if not most disciplines produce more PhDs than there are academic jobs to be filled. Public Universities in most states face the constant threat of reduced funding. One of the primary reasons for this state of affairs can be traced directly to the first fifteen years or so of the Cold War. In the years between World War II and 1960, the United States government began a massive and unparalleled investment in higher education, through grants, endowments, and the GI Bill, in order to promote its anti-Soviet agenda. The beginning of Perestroika and the eventual collapse of the Soviet Union, then, created a problem for American academics—the US university system had grown, over fifty years of federal investment for Cold War aims, to a point that was unsustainable without continued levels of funding. But when the specter of Communism was no enough to justify previous levels of spending, disinvestment began, and as is the case with most large, bureaucratic systems, the American university system was slow to react and adapt.

Three books that look at different disciplines in the years between 1945 and 1960, Jessica Wang’s American Science in an Age of Anxiety, Paul Edwards’s The Closed World, and Peter Novick’s That Noble Dream, all point to the unprecedented tremendous investment made by the federal government at that time. Looking at the level to which the academy was, in effect, militarized in order to advance the Cold War cause, it becomes quickly apparent why this level of subsidizing academe would become unsustainable after the end of the Cold War.

Jessica Wang’s excellent American Science in an Age of Anxiety is a history of atomic scientists in the latter half of the 1940s. Wang’s account shows that there was a considerable level of initial trepidation among at least certain circles of atomic scientists about the increasing role of the federal government funding atomic research, fearing “that military patronage would adversely affect the content and character of physics research.” (38) A particularly clear expression of this fear can be found in Eugene Rabinowitz’s editorial “Science, a Branch of the Military?” in the 1946 Bulletin of the Atomic Scientists, which worried about the subordination of scientific research to military goals, the suppression of traditional scientific exchange in the interest of national security, and the impression that such a relationship could give to the rest of the world that the US was determined to continue military buildup and pursue aggressive foreign policies. (39-40) Even further, some scientists initially argued that control and regulation of atomic technologies was too dangerous to be left in the hands of military-governmental bodies at all, and should rather be handled by an international body of dispassionate scientists committed to civilian applications of nuclear technologies.

Such dissenting voices to the direction of US atomic policy were functionally silenced within the scientific community within five years, however, due in large part to scrutiny and sometimes persecution in the name of domestic anti-communism by federal organizations, most notably the FBI and the House Committee on Un-American Activities. The post-World War II Red Scare had a profound chilling effect on dissident atomic scientists, Wang argues, by splitting the left into two camps—left anticommunists, who put practicality and spectacles of patriotism ahead of ideals in order to maintain their position in the middle of anticommunist paranoia, and the progressive left, who were most often silenced by anticommunist persecution, and often faced tragic consequences when they refused to be silenced.

Beyond the “stick” of blacklisting and persecution, Wang also notes the powerful role of the “carrot” of scientific research funding. While many of the top atomic research facilities were governmentally-founded organizations or semiautonomous institutes dependant on military and federal funding, many other institutes were associated in some way with America’s top universities. Looking at a 1947 FBI memo on the loyalties of various chapters of the Federation of American Scientists, one quickly notices that along with military/industrial centers like Los Alamos and Northern California, many other chapters were located in the cities that were home to some of the US’s top research universities, including Cambridge, Ithaca, and Rochester. (65) Beyond simply funding research institutions, the government also invested in individual students of promise: the Atomic Energy Commission’s fellowship program, for example, “awarded grants to almost five hundred young physicists, biologists, and medical researchers in 1948 and 1949. At the time, it was the largest program for advanced science education in the nation’s history…” (220) By 1950, the prerequisites for the fellowship included a loyalty oath and an affidavit denying ties to the Communist Party. The federal government in this way attempted to assure that the top researchers of the next generation would be properly ideologically vetted and screened while still in training.

    While focusing more on the “carrot” of funding than the “sticks” of anticommunism, Paul Edwards’s The Closed World illustrates the profound impact of the militarization of the academy on scientific research far more varied than Wang’s atomic scientists. Edwards argues that Eisenhower’s notion of a “military-industrial complex” overlooks the important role of the academy in the military, technological, and scientific buildup of the Cold War, preferring an “’iron triangle’ of self-perpetuating academic, industrial, and military collaboration.” (47)

Two aspects of this collaboration he pays particular attention to are research in computers and psychology. While early research into computers was certainly driven by military funding and researchers, as well as corporate players like IBM and Bell Labs, universities like MIT and Harvard were integral in early developments in computer science. Many researchers moved back and forth between private, governmental, and academic research positions. Like atomic energy, the military uses of computers are immediately obvious and it is perhaps not surprising that the federal government would invest large amounts of money into such projects. However, Edward’s discussion of the funding of psychological research yields somewhat surprising numbers. In the years between 1941 and 1960, the American Psychological Association’s membership grew from 2,600 to 12,000.  During World War II, the majority of its membership worked on war-related research, and half of all professional psychologists were employees of the federal government. (177) The government was interested in the uses of psychology for everything from propaganda and public opinion to finding better ways to regulate and control military personnel. Moreover, as Edwards makes quite clear, there was a lot of overlap between some of the earliest developers of computers and information theory and some of the most influential psychologists of the time.

The militarization of the military was not limited to the sciences, however. While his classic That Noble Dream chronicles around a hundred years of the historical profession, Peter Novick’s discussion of historians in the wake of the Cold War bears mention here. Novick notes that there was a sharp rise in diplomatic history in the years immediately following World War II. (305) Moreover, while “private philanthropic organizations… provided initial funding for most of these ventures… as the academic cold war became institutionalized, a program of official government grants became established, mostly under one or another ‘national defense’ rubric.” (310) This new influx of money and interest led to the creation of integrated area studies programs throughout America—twenty-nine had been created by 1950, and by 1965, that number had grown to 153. (310) While the research that came out of these diplomatic histories and area studies programs tended to reflect a strong interest in the narrative of the US as the Free World, diametrically opposed by the Totalitarianism of the Soviet Union, the perception of the field from within was one of absolute objectivity, of history as an account of Truths about the past.

Moreover, another element beyond the investment in the institutions and members of the academy that the federal government was the massive investment in tuitions for many who came back from World War II and later Korea under the GI Bill—according to the Department of Veteran Affairs, GI Bill veterans made up almost half of all college students in 1947, and ultimately, 7.8 out of 16 million veterans of the World War had taken part in education or training programs under the bill.  Such a large infusion of students helped to create demand for a large number of positions throughout higher education, meaning that even academics working outside areas of direct military interest.

Jessica Wang has noted that many scientists, in reaction to the post-Cold War drawback in research funding, are more likely to rail against postmodernist critics of science and general public ignorance than to look back to the historical trends that have created this situation. (290) But what she doesn’t comment on is whether or not this federal and military disinvestment in higher education after the end of the Cold War has put the American academy in an untenable situation. Did the infusion of so much money over half a century artificially inflate the size and number of postsecondary institutions to the point where they cannot structurally adjust to this lessening of funding? How can we maintain—or even responsibly reduce, while maintaining the primary benefits of—the previous levels of research in this new age? America has become a leading exporter of the educated—the number of foreign students coming to the States for an education is higher than ever—but if the primacy in academics that this is built on was the result of Cold War funding, will this disinvestment engender a decrease in the prestige of American higher education—or even of America itself?  Even with a war going on the GI Bill—now the Montgomery GI Bill—is nowhere near what it was in the middle of the twentieth century. Veterans coming back from the Middle East won’t be flooding into our institutions of higher learning on the government’s tab, meaning not only that the money the GI Bill represented won’t be there, but neither will the talent that it provided.

It is perhaps possible that, in framing the “War on Terror” as a generational conflict, the current administration has created a discourse that could serve to frame military and federal funding into higher education once again, but that is uncertain at best, and one cannot in good conscience hope for an outcome that relies on so much potential for human suffering.  All one can say for sure is that this is a discussion that needs to be continued and expanded, and that the history of this phenomenon and its ties to Cold War military spending should be a larger part of the broader public discourse on the topic, as it is so intrinsic to what is at stake.

css.php